|
The incredible 101.5dB
and 103dB performance of Teresonic speakers – higher than any comparable
products, allows low power amplifiers, or high power amplifiers operated at
low power levels, to achieve realistic sound levels in every room. The
Teresonic will sound outstanding and play plenty loudly with an 8 wpc (Watts
Per Channel) 300B-based tube stereo amp, as well as a 30 wpc 845-based tube
stereo amp, or any other SET integrated designs. They also sound great when
partnered with a set of the push-pull monoblocs that are rated at 100 wpc.
You can play them with 100 wpc solid-state amplifiers, and the performance
will be also excellent. And with the lowest distortion you have ever heard
in a loudspeaker.

Interestingly, Teresonic
speakers always sound best with tube amplifiers, not necessarily because of
a richer vocal register and more warmth in the upper bass/lower midrange or
the like (though that is generally the case), but because of the more
realistic dynamic contrasts available through the tube units.
Teresonic speakers are
deliberately designed to take full advantage of smaller tube amplifiers, and
that is what they do best. Never mind the fact that you just do not need
more than about 50 wpc to play music as loudly as you would ever want to (if
1 watt is good for 98 db, then 32 watts are good for a peak output of about
113 db at one meter distance). Again, with the lowest distortion you have
ever heard in a loudspeaker.
To The Top |
Speaker sensitivity chart shows the top 50
most efficient speakers based on comprehensive data published in
Stereophile’s 2005 Complete Guide to High-End Audio Gear. Keep in mind that
dB measure is logarithmic rather than linear so every 3dB difference means
two (2) times better performance; 6dB difference is four (4) times better,
and 9dB performs eight (8) times better! Note that speaker designs such as
horns and electrostatics are mostly excluded from this chart.
|
Manufacturer |
Model |
Sensitivity |
Price/Pair |
Rec.Power |
|
|
|
(dB) |
(US$) |
(MinWatts) |
|
|
|
|
|
|
|
Teresonic |
Ingenium EFR |
103 |
11,955 |
3 |
|
Teresonic |
Ingenium |
101.5 |
9,975 |
4 |
|
Teresonic |
Integrum |
101.5 |
7,950 |
4 |
|
Westlake
Audio |
Tower SM-I |
101 |
132,500 |
5 |
|
Legacy Audio |
Helix |
100 |
44,000 |
5 |
|
Westlake
Audio |
BBSM-15F |
98 |
28,900 |
10 |
|
Silverline |
Simfonia |
96 |
20,000 |
10 |
|
Innersound |
Kapa |
96 |
20,000 |
10 |
|
Verity Audio |
Lohengrin |
95 |
59,995 |
20 |
|
JBL |
K2 S5800 |
95 |
18,000 |
25 |
|
Legacy Audio |
Whisper |
94.5 |
14,998 |
25 |
|
Montana |
WAS |
94 |
55,000 |
25 |
|
Triangle |
Luna |
94 |
35,900 |
25 |
|
Silverline |
Grandeur |
94 |
35,000 |
25 |
|
JBL |
K2 S9800 |
94 |
25,000 |
25 |
|
Verity Audio |
Sarastro |
93 |
34,995 |
30 |
|
Silverline |
Grande La Folia |
93 |
32,000 |
30 |
|
Montana |
KAS |
93 |
27,500 |
30 |
|
Wilson Audio |
Watt/Poppy 7 |
93 |
22,400 |
50 |
|
Triangle |
Magellan |
93 |
19,900 |
50 |
|
Montana |
XP |
93 |
15,000 |
50 |
|
Genesis Adv. Tech |
G1.1 |
92 |
135,000 |
50 |
|
Dynaudio |
Evidence Master |
92 |
85,000 |
50 |
|
Focal-JMLab |
Grande Utopia Be |
92 |
85,000 |
50 |
|
Sonus Faber |
Stradivari Homage |
92 |
40,000 |
50 |
|
Naim Audio |
DBL |
92 |
25,450 |
50 |
|
Sonus Faber |
Amati Homage |
92 |
24,000 |
50 |
|
Kinetic Audio |
Trapezoid |
92 |
10,000 |
50 |
|
Silverline |
La Folia |
92 |
9,000 |
50 |
|
Focal-JMLab |
Nova Utopia Be |
91.5 |
37,500 |
50 |
|
Martin Logan |
Statement e2 (Elecrost) |
91 |
79,900 |
50 |
|
Kinetic Audio |
Priority |
91 |
40,000 |
50 |
|
Krell Industries, Inc |
LAT-1 |
91 |
37,500 |
50 |
|
Kinetic Audio |
Inclusive |
91 |
30,000 |
60 |
|
Talon Audio |
Firebird |
91 |
26,000 |
65 |
|
Kinetic Audio |
Standard |
91 |
25,000 |
70 |
|
Bowers&Wilkins |
Signature 800 |
91 |
20,000 |
70 |
|
Kinetic Audio |
Refind |
91 |
19,000 |
70 |
|
Bowers&Wilkins |
Nautilus 800 |
91 |
16,000 |
70 |
|
Kinetic Audio |
Labyrinth |
91 |
15,000 |
75 |
|
Proac |
Response D80 |
91 |
14,000 |
75 |
|
Bowers&Wilkins |
Nautilus 801 |
91 |
11000 |
75 |
|
Martin Logan |
Prodigy (Electrostatic) |
91 |
10,995 |
75 |
|
Bowers&Wilkins |
Nautilus 802 |
91 |
8,000 |
75 |
|
Burmeister |
B99 |
90 |
53,995 |
100 |
|
Genesis Adv. Tech |
G201 |
90 |
40,500 |
100 |
|
Dynaudio |
Evidence Temptation |
90 |
33,000 |
125 |
|
Genesis Adv. Tech |
G350SE |
90 |
30,500 |
160 |
|
Aerial Acoustics |
Model 20T |
90 |
23,500 |
220 |
|
Talon Audio |
Chorus X mkII |
90 |
16,000 |
220 |
When
sensitivity is combined with impedance to show how much amplifier power is
required for the loudspeaker to play at satisfying volume levels,
the picture changes even further. When comparing low impedance, 4 Ohm
speakers draw twice the current from the amplifier, providing the illusion
of greater performance, while placing more stress on the amplifier’s power
supply and producing more distortion. Therefore 8 Ohm should be considered
the true measure of performance.
|
|
|
Music instruments are not built as square
shaped boxes. For a reason!
Conventional box speakers sound like box speakers! Ours don't. Form follows
function and our enclosures tend to be very attractive, sculpture-like
shapes – just like fine music instruments.

To The Top
|
The unique design of Teresonic speakers makes
them a welcome addition to any room. Any way you consider them – as a piece
of art that sounds great, or great sounding speakers in an eye pleasing
package, Teresonic speakers are handcrafted to highest standards using the
finest materials. High gloss finish enhances natural wood veneer and superb
craftsmanship that one expects from speakers costing thousands more.
The purpose of the enclosure is to bring out
the best of the drive-units. When we build an enclosure we go as far as we
can to ensure that it doesn't add any sound of its own. By our choices of
shape, construction and materials, we minimize internal resonances, negative
diffraction effects and cabinet vibrations.
Teresonic speakers are made from MDF, CNC cut to shape to please even the
most discriminating eye. The computer control allows greater accuracy than
is possible with traditional methods, and allows us to shape internals and
externals to the correct contours- an ability not provided by standard
cabinetmaking practices. All of our cabinets are covered in the finest
veneer with hand rubbed oil finishes, giving you a product you can enjoy for
a lifetime. |
|
|
ETQWT©
(Enhanced Tapered Quarter Wave Tube) transmission line design is the key for
Teresonic speakers’ extremely clean and accurate midrange, the widest range
of sound audible to our ears, and extended low frequency response – up to
one-half octave below the fundamental resonance of the driver. ETQWT
technology offers the following advantages over a conventional ported or
sealed designs:
- Extreme performance
without distortion
- Exceptionally natural and
warm midrange
- Well defined low frequency
extension
- Consistent balance at all
levels
- Stable and consistent 3D
image
To The Top
|
The unique design of Teresonic speakers makes
them a welcome addition to any room. Any way you consider them – as a piece
of art that sounds great, or great sounding speakers in an eye pleasing
package, Teresonic speakers are handcrafted to highest standards using the
finest materials. High gloss finish enhances natural wood veneer and superb
craftsmanship that one expects from speakers costing thousands more.
The purpose of the enclosure is to bring out
the best of the drive-units. When we build an enclosure we go as far as we
can to ensure that it doesn't add any sound of its own. By our choices of
shape, construction and materials, we minimize internal resonances, negative
diffraction effects and cabinet vibrations.
Teresonic speakers are made from MDF, CNC cut to shape to please even the
most discriminating eye. The computer control allows greater accuracy than
is possible with traditional methods, and allows us to shape internals and
externals to the correct contours- an ability not provided by standard
cabinetmaking practices. All of our cabinets are covered in the finest
veneer with hand rubbed oil finishes, giving you a product you can enjoy for
a lifetime.
|
|
|
Helmholtz
resonators are designed for “picking out” particular frequencies from a
complex sound. They are purely acoustical, rather than electronic elements,
responsible for the exceptionally smooth response of Teresonic speakers
without distortions and unwanted colorations.
To The Top
|
The research of Herman L. F. von Helmholtz (1821-1894)
straddled the interfaces between physics and physiology and psychology. His
book, On the Sensations of Tone, published in 1862, at first appears
to be on music and its perception, but on a deeper examination, is also a
classic textbook on the subject of vibrations. The book describes the form
of resonator that he developed for picking out particular frequencies from a
complex sound.
A Helmholtz resonator is a container of air with an open hole
(or neck, or port). A volume of air in and near the open hole vibrates
because of the 'springiness' of the air inside. A common example is an empty
bottle: the air inside vibrates when you blow across the top. (It's a fun
experiment, because of the surprisingly low and loud sound that results.)
Loudspeaker enclosures use the Helmholtz resonance of the enclosure to
smoothen the speaker response across the full range and to boost the low
frequency response.
http://www.phys.unsw.edu.au/~jw/Helmholtz.html
|
|
|
True high end speakers such
as Teresonic, need top quality drive units. Lowther drivers are
hand-made by Lowther-Voigt Ltd in
England, and incorporate
extremely powerful magnets and ultra-light paper cones, leading to
extraordinary sensitivity, transient response, and low distortion.

What is a
Tesla? Tesla and
the symbol T represent an International Standard Unit for Magnetic flux
density. The higher the T number for magnets in your speaker, the higher the
level of diaphragm acceleration that can be achieved, leading to more
detailed sound and overall “speed” of the speaker. All Teresonic speakers
use renowned British designed Lowther
drivers with extremely powerful rare earth magnets exceeding 2 Tesla,
allowing them to achieve realistic sound reproduction that has to be heard
to be believed.
To The Top |
Lowther philosophy: Hear the music, and only the music. How?
Build a full-range, natural-sounding speaker that is as low in coloration as
possible and make it as electrically sensitive as possible. This may seem at
odds with conventional wisdom, and, in truth, the majority of Lowther-based
designs do manifest a degree of coloration that we (and many others) find
unacceptable. This is primarily due to a couple of undesired resonances in
their responses that conspired to make the somewhat shouty, overly-forward
and colored presentation that the drivers have been infamous for some time.
After many years of research and experimentation Teresonic engineers created
Ingenium and Integrum loudspeakers. They are possessed of a stunning sense
of aliveness and vitality, and have a degree of sonic invisibility that is
both seductive and addictive. They play to high volumes quite easily with
miniscule amplifiers of as little as 3-10 wpc, but they can take up to 100
wpc. When properly placed (they like to be in the vicinity of a corner but
not shoved all of the way into one) in a room they produce very even,
phase-correct response from the lower 30s all of the way up to well over 18
kHz, where our hearing begins to taper off. One can describe the sound as
like electrostatic’s in many respects, as the speakers’ response to a signal
is almost instantaneous due to the extremely low moving mass of the Lowther
drivers.
All Lowther drivers share some common characteristics: 1)
they are extremely efficient, 2) they each are rated at 100 W, 3) each uses
a dual paper cone design, 4) each has a maximum VC (Voice Coil) travel of
+/-1 mm, and 5) each is expensive for any mass-producer. These all reflect
the Lowther design philosophy:
-
One VC per driver obviating problems caused by crossovers,
assuring accurate time and phase alignment
-
The special rolled (not formed) paper is extremely thin
and light weight
-
The design is implemented as a 3-way: a) the radiation from
the VC edge radiates directly into the annulus between the phase plug and
the whizzer cone, b) the whizzer cone handles the wide midrange, and c)
the main cone handles the bass. The "crossover" is via mechanical
decoupling between the radiating elements.
-
The VC's are wound with ferric materials rather than copper
or aluminum
-
Highly efficient, Lowther's stated goal is that each of its
drivers should be able to play around 100 dB in an actual listening room
with as little as 1 watt of power.
-
Lowther's magnetic circuits are unique in the current market.
The size, weight, and flux density of the magnets are enormous for the
size of cone
We say "Lowther for Life". We mean that once Lowther
loudspeakers are used, audio and hi-fi perfectionists stay with them for
life. And those that stray come back. The reproduction is the most life-like
available, and gives the feeling of being in the concert hall.” – Lowther
web site |
|
|
Teresonic one-way
speaker design with no filters and crossovers, uses full range
high-efficiency speakers, and provides a wealth of detail:
exceptional dynamic range and a sense of musical “liveness” that you don’t
hear elsewhere.
Music is made up of
approximately 70% midrange. If the midrange is not right, then the remainder
of the frequency spectrum does not matter. Conventional designs put a
crossover in the mid-range to split the signal to the bass driver and the
tweeter. This is exactly the region where our hearing is most sensitive.
These crossovers introduce phase and balance problems that cause
deterioration in detail, transparency and imaging.
To The Top |
The challenge is to make
speakers that we can call transcendental - something that breaks boundaries
and creates emotion. Teresonic speakers operate our full-range speakers
without any electrical components such as filters or crossovers between the
amplifiers and the speakers. Conventional designs put a crossover in the
mid-range to split the signal to the bass driver and the tweeter. This is
exactly the region where our hearing is most sensitive. These crossovers
introduce phase and balance problems that cause deterioration in detail,
transparency and imaging. Even worse, most speakers go from a cone driver
for the bass to a tweeter with totally different sonic characteristics, such
as a dome or ribbon tweeter, for the treble.
The ability of the
Teresonic speakers to speak across the full frequency spectrum with one
voice, and with such speed and lack of coloration, makes them seem all the
more electrostatic. In the end, however, the Teresonic speakers will play
much louder than all except the largest ESLs (such as big Soundlabs), and
they will best any ESL in bass power and dynamic wallop. You can hit these
speakers with hard transients and they not only do not flinch, they start
and stop on a dime and deliver the full frequency and dynamic range of the
signal. It is actually kind of hard to truly convey the full abilities of
these speakers. The Teresonic so well pass on the sonic thumbprints of the
rest of the components in the system that they themselves tend to be pretty
chameleon-like in their own sound. We believe this an absolutely great thing
in that the loudspeakers will not hide or alter any aspect of the signal
they are fed.
|
|
|
Teresonic speakers are
built using the world’s
best components such as zero interference Clarison©
cables, and WBT terminals and silver soldering.

To The Top |
Many high-end speakers
on the market will use standard wiring inside the box between drivers and
connectors in the back of the box. Not so with Teresonic speakers which are
equipped with the same high-end Clarison cables inside the box that are
offered to connect to your amplifier. Matching speaker cables and wiring
inside the box is important to maintain the sonic character in the entire
chain.
WBT is universally
regarded as the Rolls Royce of audio connectors. A binding post from WBT is
truly a functional work of art and a symbol of quality.
A single pole terminal is able to handle 200A continuous
current, and has a patented clamping mechanism for high compression
connection of spade connectors and crimped wire. The post accepts a 4mm
banana plug, 6mm or 8mm spades and features a patented rotating collar
design that requires only finger tightening to securely fasten a spade.
WBT's line of connectors is unlike any other. Featuring unrivaled
engineering and design principles they have been designed and refined for
trouble-free reliability and superior sonic performance. The formula is
simple: develop innovative designs and build them with the finest materials.
Oxygen Free Copper Alloy, Teflon™, and 24K gold are employed to produce
connectors like none other. This cost-no-object connector features the most
powerful locking mechanism in the business and is precision machined in West
Germany to exacting tolerances of < 2/100 mm. The base metal is an extremely
conductive, a
proprietary alloy based on over 99.996% pure copper. Quite
simply, the WBT connectors are for those who appreciate owning a product of
the highest standard.
All soldering in Teresonic products is done using the highest
quality WBT solder with 4% fine silver content. The halogen-free flux
protects against etching of surfaces and warrants long term stability and
corrosion resistance. |
|
|
Teresonic speakers come
equipped with a set of fine speaker spikes.

To The Top |
By rigidly coupling a
loudspeaker enclosure to a floor by means of a "spiking" system, it is
possible to dramatically improve clarity, stereo imaging and bass response.
Speakers produce sound by moving a paper-cone back and forth, thus pushing
on the air in the room. Air, due to inertia, tries to resist motion. So, the
speaker ends up exerting force against its own cabinet instead. This causes
the cabinet to move. If you can prevent the cabinet from moving, more of the
energy is used to move the air, rather than the cabinet. More air movement
means more sound. The easiest way to keep your speaker cabinet from moving
is to place it on a hard surface. If you place it on a soft surface like
carpet or rubber, it can move too easily. Installing spikes on the bottom of
your speaker cabinet allows it to essentially reach through the carpet (and
padding) and onto the hard floor below.
The cone-shape of a
"spike" serves a dual function. It focuses all of the weight of the speaker
onto a single point. If the base of your speaker measures 10" x 10" (100
square inches of surface area) and weighs 100 lbs., that equals 1 pound per
square inch exerted onto the floor. Now, by placing your speaker on cones
you can reduce the surface area to a tiny point that may exert thousands of
pounds per square inch onto the floor. That prevents the speaker from
moving. In addition, the cones allow mechanical energy from the speaker to
be absorbed by the floor, but will not allow energy in the floor to reach
the speaker.
These attractive spikes
are precision machined from solid brass and then plated with a durable gold
finish. The cones are super-high quality and are polished to a mirror-like
finish. They look and feel like fine jewelry. Each cone spike weighs 86
grams and measures 1-1/4" diameter and 1-1/2" tall. The two piece threaded
tip design allows for precise level adjustment. Floor protecting disks are
also included.
|
|